";s:4:"text";s:17826:"Stories We Tell revolves firstly around Diane Polley, the director’s energetic mother and sometimes stage actress, who died of cancer when Polley was eleven years old. One of us is a Ph.D. in literature and studies how the technologies we use and the stories we tell ourselves relate. — [20] In October 2013, Stories We Tell received the Allan King Award for Excellence in Documentary at the Directors Guild of Canada Awards in Toronto. Stories We Tell Prone to motion sickness myself, this metaphor readily evokes a visceral unsettling, one that threatens to capsize any carefully-patched story that I hope will carry me to the other side of a rough crossing. Share 0. A documentary which challenges former Indonesian death-squad leaders to reenact their mass-killings in whichever cinematic genres they wish, including classic Hollywood crime scenarios and lavish musical numbers. Note that “dimensions/levels” is not an official label, but simply used for the sake of … She was concerned that this film would not be interesting enough for an audience. Så begynner Sarah Polley å spørre dem ut om hvordan de husker begivenhetene. Title: Documentary on the Friedmans, a seemingly typical, upper-middle-class Jewish family whose world is instantly transformed when the father and his youngest son are arrested and charged with shocking and horrible crimes. Disse intervjuene, kombinert med gamle bilder og super 8-opptak, kaster lys over hvem moren var, hennes tanker, drømmer, kjærlighet og til … Add the first question. Use the HTML below. Stories We Tell reminds me that what one family thinks is interesting is simply banal drivel for the rest of us. On March 3, 2013, it was named best feature-length documentary at the 1st Canadian Screen Awards. By all accounts this shouldn’t work, as the decisions that the documentarian makes when crafting the narrative cannot possibly be objective. Stories We Tell is a 2012 Canadian documentary film written and directed by Sarah Polley and produced by the National Film Board of Canada (NFB). Stories in Stories We Tell. As we race to create shape out of the mess we’re in through the stories we tell, we have to become okay with being in the queasy space. Pourquoi l'étrange Monsieur Zolock s'intéressait-il tant à la bande dessinée? Her playful investigation into the elusive truth buried within the contradictions of a family of storytellers paints a profound portrait … Truth, storytelling and family are intrinsically linked - for example: Polley’s presentation of conflicting ac… Prior to watching the trailer of "Stories We Tell", I watched an interview of Sarah Polley, discussing this film. Don't ever tell a 75 year old to go quietly into the night. [citation needed] The cast in the Super-8 re-creations includes Rebecca Jenkins as Diane, who had died of cancer on January 10, 1990 — the week of Polley's 11th birthday. The film explores her family's secrets—including one intimately related to Polley's own identity. If we grab our phones as soon as we open our eyes and scroll through social media reading the toxic post it will set the tone for the rest of the day and week. The other one is an entrepreneur who works on making advanced data systems available to everyone. While analysing the themes in isolation can provide a good foundation for success studying Stories We Tell, looking at how they interact and interrelate enables students to demonstrate their higher-order skills. The mother was married twice, had at least one affair —that resulted in a daughter who made the documentary. The outcome of our day begins with what we focus on before the day even starts. Tweet 0. [15], On October 20, Stories We Tell received the Grand Prix Focus for best feature film in the Festival du nouveau cinéma's Focus category. Share 0. Directed by Sarah Polley. Tweet 0. [22][23] On February 1, 2014, the film received the Writers Guild of America Award for Best Documentary Screenplay. Stories We Tell. 1 Canadian film of all time", "Sarah Polley doc Stories We Tell: When blood is thicker than gossip", "Stories We Tell: A post by Sarah Polley", "Stories We Tell Movie Review & Film Summary (2012) | Roger Ebert", "Polley, Cronenberg, Mehta films named to Canada's Top Ten", "Canada's Top Ten Toasts the Nation's Best Films of 2012: Cronenberg, Polley, Nguyen and Mehta Among Filmmakers Recognized", "Sarah Polley doc wins Toronto critics' $100K prize", "Sarah Polley's intimate family tale Stories We Tell gets a PR push for the Oscars", "Who Was Helped (and Who Wasn't) by Week's Slew of Awards Announcements (Analysis)", "Sarah Polley's 'Stories We Tell' wins Writers Guild award", "Cinema Eye Honors Announces Nominees for 7th Annual Nonfiction Film Awards", "2014 Oscars Best Documentary Short List Revealed", "Film Release Chart 5/10/2013 - 8/2/2013", The Inquiry Film: A Report on the Mackenzie Valley Pipeline. Polley unravels the paradoxes to reveal the essence of family: always complicated, warmly messy and fiercely loving. [8] It was also named the 70th greatest film since 2000 in a 2016 critics' poll by BBC. These are the stories we use to narrate our lives. Usually many people might ask what makes Polley's story so special that we, the viewer, should invest time in listening to it. It is full of bad carbs that will cause obesity. tell stories that assign meaning to the past while allowing students to But we all tell stories, it will be said. [28], New York Film Critics Circle Award for Best Non-Fiction Film, National Board of Review Award for Best Documentary Film, Los Angeles Film Critics Association Award for Best Documentary Film, Writers Guild of America Award for Best Documentary Screenplay, Academy Award for Best Documentary Feature, "Sarah Polley reveals secrets behind Stories We Tell", "Exclusive: TIFF to host Polley's "Stories," Kastner's "Disco, "Toronto 2012: Sarah Polley's 'Stories We Tell' Trailer Teases Poignant Personal Tale", "Michael Winterbottom, Noah Baumbach, Sally Potter, Sarah Polley & Ramin Bahrani Lead 39th Telluride Film Festival Program", "Atanarjuat voted No. From Bryce Wolkowitz Gallery, Oliver Jeffers, The Stories We Tell (2018), Oil and gold leaf on canvas, 36 × 48 in [17][18] In 2015, it was added to the festival's list of the top 10 Canadian films of all time at number 10. Stories We Tell Ourselves. The actress-mother is pictured only in her vitality and beauty. Two thirteen year-old working-class friends in Bradford seek fortune by getting involved with a local scrap dealer and criminal. Forbidden Love: The Unashamed Stories of Lesbian Lives, Just Watch Me: Trudeau and the '70s Generation, Volcano: An Inquiry into the Life and Death of Malcolm Lowry, The Colours of My Father: A Portrait of Sam Borenstein, Fiction and Other Truths: A Film About Jane Rule, Unveiled: The Mother/Daughter Relationship, Hôtel Terminus: The Life and Times of Klaus Barbie, National Board of Review Award for Best Documentary Feature, Hearts of Darkness: A Filmmaker's Apocalypse, Paradise Lost: The Child Murders at Robin Hood Hills, Toronto Film Critics Association Award for Best Documentary Film, Toronto Film Critics Association's Rogers Award for Best Canadian Film, The Body Remembers When the World Broke Open, https://en.wikipedia.org/w/index.php?title=Stories_We_Tell&oldid=1019565151, Best Documentary Film Genie and Canadian Screen Award winners, National Film Board of Canada documentaries, Articles with unsourced statements from May 2017, Creative Commons Attribution-ShareAlike License, This page was last edited on 24 April 2021, at 01:58. None of the characters is terribly interesting. In “Stories We Tell,” the actress and director Sarah Polley sat down with relatives and friends to talk about her mother, who died when Ms. Polley was 11. She playfully interviews and interrogates a cast of characters of varying reliability, eliciting refreshingly candid, yet mostly contradictory, answers to the same questions. You might advise the chimp to put down the banana. The mother was married twice, had at least one affair —that resulted in a daughter who made the documentary. In this inspired, genre-twisting new film, Oscar®-nominated writer/director Sarah Polley discovers that the truth depends on who's telling it. The faux home video footage appears exceptionally authentic due to the performers’ close resemblance to the real-life characters. 2 talking about this. In Stories We Tell, director Sarah Polley attempts what I think is the impossible. [21] In December 2013, the film received the New York Film Critics Circle Award for Best Non-Fiction Film, the National Board of Review Award for Best Documentary Film, and the Los Angeles Film Critics Association Award for Best Documentary Film. And it’s true: history teach- articulate and refine their own understanding of history with the help ers can hardly avoid telling stories. In 2015, it was added to the Toronto International Film Festival's list of the to… Keep track of everything you watch; tell your friends. Sarah Polley investigates the truths and buried secrets of her family of storytellers, and the questions it raises about her life. Somewhere along the way we adopted the story as truth. (2012). Polley has made a name for herself with some pretty good indie dramas but this film here is certainly her crowning achievement so far. Stories We Tell explores the elusive nature of truth and memory, but at its core is a deeply personal film about how our narratives shape and define us as individuals and families, all interconnecting to paint a profound, funny and poignant picture of the large Genre: Documentary. Want to share IMDb's rating on your own site? There are clips of Polley inside a studio listening to the person she grew up believing was her father tell his side of this story. She attempts to create a documentary of her family story. She playfully interviews and interrogates a cast of characters of varying reliability, eliciting refreshingly candid, yet mostly contradictory, answers to the same questions. 9 Stories are never constructed in isolation from the broader context; they are influenced by those we interact with, such as family and friends, but also by gender, class, race, culture, religion etc. Read about us. The film explores her family's secrets—including one intimately related to Polley's own identity. In this documentary, Polley explores and investigates the history of her family, unearthing some personal secrets she didn't expect to find. Share 0. Stories We Tell Ourselves: The Superpower of Tall Tales and Why It’s Okay to Be Delusional Sometimes. We all have stories to tell, but some of us feel compelled to write them down, to give them shape, to heighten the drama, maybe steal someone else’s story, to lie a little or a lot. Or to write a story whose kernel is a secret –even from ourselves. [27], Stories We Tell was released theatrically in Canada starting October 12, 2012. If there is one thing my students in Southern Studies grow weary of hearing me say, it is this: Memory is not a passive repository of facts, but an active process of creating meaning about the past. I think what makes STORIES WE TELL so fascinating is her story itself really isn't unlike any story we've probably got in our own closet. Following the style of some of the world's most prolific street artists, an amateur filmmaker makes a foray into the art world. A film that excavates layers of myth and memory to find the elusive truth at the core of a … A bus crash in a small town brings a lawyer to the town to defend the families, but he discovers that everything is not what it seems. [25][26] It was among the 15 films shortlisted for the 2013 Academy Award for Best Documentary Feature. I believed those oft-repeated stories for most of my life. In his August 29 Maclean's blog post, Johnson, one of the film critics who'd kept Polley's secret, wrote: Now that I've seen her documentary, which premieres in Venice next Wednesday, I'm glad I didn't spill the beans. 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