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";s:4:"text";s:33858:"‘McCartney III Imagined’ review: Macca shines with kaleidoscopic input By redazione on 16 April 2021 News At McCartney’s restaurant, haute cuisine is served, and as usual the chef has prepared dishes for all tastes. Music Review: Paul McCartney is fab on ‘McCartney III’ By SCOTT BAUER. Until the pandemic slowed his roll touring-wise, he was slaying live crowds every night with his best band since the Fab Four. History has been very kind to those other two D.I.Y. Like the two self-titled albums that preceded it, McCartney III is the product of an exquisite talent for melody, a boundless sense of musical adventure and a mischievous streak a mile wide. Simply put, McCartney iii is a late-career triumph. : “Tom Dooley” (Kingston Trio / Traditional) In the Spotlight: Jamie Cullum; Dev Marvelous Makes Joyful Bedroom Pop of The Bird and the Bee’s “La La La” But this would-be descent into madness is outfitted with a safety net, too self-consciously “crazy” to feel strange. Like its two predecessors, it’s Macca at his most playful. The album was met with widespread acclaim from music critics. So I listened to it. © Copyright 2021 Rolling Stone, LLC, a subsidiary of Penske Business Media, LLC. And both were flawed-yet-fascinating portraits of a perfectionist embracing the purity of imperfection. It’s the warmest and friendliest of quarantine albums — it’s basically Ram meets Folklore. “Find My Way” betrays a very 2020 sense of unease—“You never used to be afraid of days like these/But now you’re overwhelmed by your anxieties”—but offers a pick-me-up in the form of “Savoy Truffle”-style buzzing brass, playful noodling, and a breezy, drum loop that could’ve been pulled from Beck’s bag of tricks. But while they were solitary efforts, those records were still plugged into the sounds and conversations of their times. It’s just been two years since the excellent Egypt Station, one of his finest solo records ever, with the Alex Chilton-style guitar meditation “Dominoes,” definitely an all-time top ten Paul solo classic. was also a Number One hit, and never think for a moment Macca doesn’t take that to heart. McCartney III is the surprise third entry in a series that began with his 1970 solo debut McCartney and seemed to end with 1980’s McCartney II, two dramatically different records born of dramatically different circumstances that were nonetheless united by a DIY methodology. Like those albums, McCartney III features McCartney on all instruments. McCartney III is a classic, through and through. Want more Rolling Stone? On these albums, McCartney wasn’t so much the all-knowing auteur as a sponge soaking up the prevailing styles of the day and squeezing them out, without a care if he made a mess. came right after the final Wings album, the underrated. In an age of cruelty-is-the-point politics, an innocent platitude like “It’s still alright to be nice” practically sounds like fighting words. This is especially exciting news for that generation of fans who hold “Temporary Secretary” in a greater esteem than Sgt. There are many Paul McCartney albums, but only a precious few get to call themselves McCartney albums. A similar fate befalls the similarly titled “Deep Down,” another addition to the growing canon of exceedingly horny late-career Paul McCartney songs that essentially gives “Why Don’t We Do It in the Road” an ‘80s synth-funk makeover but rides it out for three times as long. It is very different from his last studio release, 2018’s Egypt Station, but just as powerful. TRACKLISTING: 1. That’s part of the charm of. Its two predecessors, 1970’s McCartney and 1980’s McCartney II, were greeted with widespread horror: it’s a close-run thing, but they may be the worst-reviewed albums of Paul McCartney’s entire career. He’s never wanted to settle for being a nostalgia artist — that’s always set him apart from his generational peers. That’s part of the charm of McCartney III. McCartney III is the 18th solo album by English musician Paul McCartney, released on 18 December 2020 by Capitol Records. McCartney III is 18 December 2020. He takes pride in moving forward. McCartney came right after Abbey Road, as he shrugged off the Beatles with acoustic ditties like “Every Night” and “The Lovely Linda,” recorded at home on his spiffy new tape machine. Paul McCartney: 'McCartney III' Album Review - Rolling Stone History suggests that critics should consider treading carefully when it comes to McCartney III. Sign up for the 10 to Hear newsletter here. And yet it still offers intriguing evidence that, even when sticking to his usual lane, a septuagenarian multi-millionaire pop star comfortably ensconced in his rural estate can still get up to some pretty weird shit when no one’s looking. As much as the legend of the McCartney series is rooted in its off-kilter sensibility, its most resonant moments remain the simplest and most heartfelt. When Paul was making his 1970s farm-core statements like Ram and Red Rose Speedway, the albums got attacked. Rating: Last weekend, Paul McCartney re-entered the chart at No 39 with Wonderful Christmastime. Top critical review. . The song has a surprising emotional power—like a flip side to “When I’m 64,” with Paul looking back from the edge of 78. On cassette, CD and on vinyl in almost as many shades as on the Pantone® Color Chart. in 1982, setting a new record for the longest stretch between Number One albums. When Paul was making his 1970s farm-core statements like, , the albums got attacked. He takes pride in moving forward. With no desire to engage with the contemporary musical landscape or absorb new influences, McCartney III is less adventurous and revelatory than its eponymous predecessors. He starts off strong with the marvelous “Long Tailed Winter Bird,” which has a couple minutes of frenzied folk guitar before he even begins to sing. Here, McCartney is more bare bones, both musically and lyrically, and it is perhaps some of the best music he has ever written. ; it had a genuinely nutty Number One hit with “Coming Up” and the lost gem “Temporary Secretary,” which sat unnoticed for decades until the world suddenly decided it was brilliant. McCartney III has that same stripped-down touch — the only duds come when he turns up the synths and tries to rock out. The title of McCartney III positions it as a direct sequel to 1970's McCartney and 1980's McCartney II, albums he made in the wake of the respective dissolutions of the Beatles and Wings, a sentiment that rings true in some ways but not in others. , as he shrugged off the Beatles with acoustic ditties like “Every Night” and “The Lovely Linda,” recorded at home on his spiffy new tape machine. All critical reviews › nobodyfromnowhere. McCartney III honors that tradition with “The Kiss of Venus,” a romantic lullaby playfully delivered in his higher register and sprinkled with harpsichord pixie dust, but underpinned by a warning not to get too lost in love: “If the world begins to shake/Will something have to break/We have to stay awake.” And on the album’s closer, “Winter Bird/When Winter Comes,” we get a startling reminder that McCartney’s genius doesn’t merely lie in his talent for orchestrating side-long suites, but in his seemingly effortless ability to dash off a casual acoustic sing-along about farm animals and make it feel both instantly familiar and mythical. As a whole, McCartney III is lean, lightweight and unpretentious. Paul hasn’t sounded so rustic since his earliest solo days, from “Mary’s Got a Little Lamb” to “Junior’s Farm” to “Mull of Kintyre.” When he sings about sheep and chickens, you know he means actual sheep and chickens, not metaphors. McCartney’s been on a songwriting roll in recent years. SDE reviews Paul McCartney’s ‘McCartney III’ In-depth assessment of Paul’s new album By Paul Sinclair. McCartney III isn’t ambitious like Egypt Station — like his first two self-titled solo statements, it’s a spontaneous palate-cleanser after a labored studio project. , one of his finest solo records ever, with the Alex Chilton-style guitar meditation “Dominoes,” definitely an all-time top ten Paul solo classic. Like the rest of us, he’s been in lockdown, hanging out on his daughter’s farm, grandchildren on his knee, strumming his acoustic guitar in the English summer sun. At first, it sounds like a farmer’s almanac of chores, like “Must dig a drain by the carrot patch.” But it’s also a portrait of late-life domestic bliss, with two elderly lovers warming their toes by the fire, forced by winter to stay indoors and delight in each other. McCartney II was similarly met with negative reviews but enjoyed an expansive influence on synth-pop, electronica and maybe most importantly, TLC. Starting out as a torch song about the disorienting effects of love, the track is slowly deconstructed through a random barrage of ominous orchestration, disembodied harmonies, sputtering cod-reggae rhythms, and guitar squeals that sound like they drifted in from a Dire Straits record. There’s also witty moments like the, -style yacht-rock ballad “Women and Wives” or the, McCartney’s been on a songwriting roll in recent years. Paul McCartney has kept busy during the COVID lockdown... or "rockdown" as he calls it... and has recorded a new album! Paul McCartney – ‘McCartney III’ review: an unpredictable quest of musical evolution Like the rest of us (OK – not quite like the rest of us), Macca's been whiling away the hours. Like the rest of us, he’s been in lockdown, hanging out on his daughter’s farm, grandchildren on his knee, strumming his acoustic guitar in the English summer sun. Read more. In times of crisis, Paul McCartney clearly finds comfort in feats of musical exploration. McCartney III, however, has no such guiding principle—other than the fact it arrives in a year when McCartney, like many of us, was stuck at home with a whole lot of extra time on his overly sanitized hands. As he told Rolling Stone in 2016, “One of my nephews, Jay, said, “Ram’s my all-time favorite album.’ I thought it was dead and gone, stinking over there in the dung pit. Fortunately, McCartney III has enough radiant moments to outweigh its stumbles. Until the pandemic slowed his roll touring-wise, he was slaying live crowds every night with his best band since the Fab Four. So I listened to it. M ade during what McCartney dubbed “rockdown”, last year’s DIY album McCartney III proved both playful and resilient; a timely antidote to the stifled, existential mood of the Covid era. With "McCartney III," the Cute Beatle makes a spectacular return to form, produces one of his most compelling albums in decades, and reminds us … Give a … McCartney III will likely go down as one more intriguing artifact from this deeply strange year: an above-average quarantine album from one of the highest-profile artists yet to share their lockdown material. McCartney III carries on his tradition of homemade solo records, in the mode of his acoustic 1970 debut and his 1980 synth-pop oddity McCartney II. Ultimately, III doesn't come close to McCartney I, released in 1970 (and, strangely enough, my favorite post-Beatles effort by McCartney). By Alex Suskind We’ve learned the prospective danger of Macca noodling around in the studio from McCartney III’s predecessors—“ Wonderful Christmastime ” came out of the McCartney II sessions, after all. Send us a tip using our anonymous form. Following a decade where he actively pursued modern-pop relevance through collaborations with Mark Ronson, Ryan Tedder, and Kanye West and Rihanna, McCartney III finds its maker shacked up at his Sussex farmhouse, tuning out the radio to indulge his every scatterbrained whim. Pitchfork is the most trusted voice in music. He’s never wanted to settle for being a nostalgia artist — that’s always set him apart from his generational peers. Macca wrote, played and produced McCartney III himself, with plenty of his folksy finger-picking. Back in the Seventies, one of his Wings bandmates called him “just a farmer who plays guitar,” and that’s the vibe he’s going for here. Music Review: Paul McCartney is fab on 'McCartney III' Paul McCartney plays all the instruments on his latest solo effort “McCartney III,” the third in a trilogy that started in 1970 Unlike his last 'McCartney III' is a spontaneous gem that once again proves why Sir Paul is the greatest singer-songwriter of modern times. From the opening guitar licks on “Long Tailed Winter Bird”, it is clear that McCartney had a lot of fun making this record. The third installment in McCartney’s home-recorded series is less adventurous and revelatory than its eponymous predecessors, but still contains moments of genuine wonder and weirdness. Kenosha cop who shot Blake is … Paul McCartney – ‘McCartney III: Imagined’ review: Macca shines with a little help from his friends. As he told Rolling Stone in 2016, “One of my nephews, Jay, said, “, ’s my all-time favorite album.’ I thought it was dead and gone, stinking over there in the dung pit. 'McCartney III' is a spontaneous gem that once again proves why Sir Paul is the greatest singer-songwriter of modern times. We want to hear from you! And we … Lauren Murphy. Paul McCartney: McCartney III, review: this bold and potent record is his most intimate work in years Jenn Selby 12/17/2020. Paul McCartney III review: Melodic charm, craftsmanship and open-minded optimism make this solo album a real treat McCartney’s mood-hopping … Unlike the other records in Macca’s solo discography, these were true one-man-band efforts, clearinghouses for the rough song sketches and home-recording experiments he’d never bring to his proper releases. A more than worthy third prong of the trilogy. He starts off strong with the marvelous “Long Tailed Winter Bird,” which has a couple minutes of frenzied folk guitar before he even begins to sing. But he’s lived long enough to see a new generation rightly prize these albums as cult classics — much to his amusement. ‘Wow, I get what I was doing.’ ” The vindication has to be sweet. Celebrity News: Kid Cudi, Man on the Moon III: The Chosen Review. He ends with “When Winter Comes,” a hard-bitten tale of farm life. Paul McCartney McCartney III Out Friday. Still, “Long Tailed Winter Bird” is practically “Yesterday” compared to the album’s eight-minute centerpiece “Deep Deep Feeling,” which tries to recreate the mesmerizing sprawl of McCartney II-era oddities like “Secret Friend,” but with more belabored results. He’s not raging against the winter — it’s just a chance for the master to kick back and smile away. has that same stripped-down touch — the only duds come when he turns up the synths and tries to rock out. Back in the Seventies, one of his Wings bandmates called him “just a farmer who plays guitar,” and that’s the vibe he’s going for here. Pepper’s. And ever since. , he’s been writing brilliant songs to match. True to the legacy of Paul McCartney, McCartney III features various musical styles, all of which are McCartney performs skillfully. Some of McCartney III— so named like its two apparent predecessors because he plays every instrument and, stylistically, he’s just being himself—is is just OK. There’s a Beatle chord here and there, there’s a nod to his ’70s or ’80s catalog, there McCartney … Armed with a needling, Celtic-tinged, folk-blues acoustic refrain, McCartney coolly ratchets up the tension, locking into a distorted guitar break while mischievously cooing “do you, do do do you miss me?” It’s a rare treat to hear him lean into something so gritty and tense, but the song is ultimately all warm-up with little payoff—“Long Tailed Winter Bird” flies in circles for over five minutes, always teasing that it’s about to grow into something more peculiar and powerful, yet never quite getting there. Left alone with his thoughts like the rest of the world, Paul McCartney turned solitude into something unifying. It’s just been two years since the excellent. Reviewed in the United States on December 19, 2020. He’s not sweating about being a legend, a genius, or a Beatle — just a family man kicking back in quarantine, writing a few songs to keep his juices flowing. Album Review: Paul McCartney - McCartney III. At first, it sounds like a farmer’s almanac of chores, like “Must dig a drain by the carrot patch.” But it’s also a portrait of late-life domestic bliss, with two elderly lovers warming their toes by the fire, forced by winter to stay indoors and delight in each other. Every decade should kick off with a Paul McCartney one-man-band album — and this one needs it more than most. McCartney II came right after the final Wings album, the underrated Back to the Egg; it had a genuinely nutty Number One hit with “Coming Up” and the lost gem “Temporary Secretary,” which sat unnoticed for decades until the world suddenly decided it was brilliant. He ends with “When Winter Comes,” a hard-bitten tale of farm life. Catch up every Saturday with 10 of our best-reviewed albums of the week. 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Like its two predecessors, it’s Macca at his most playful. works best when he leans all the way into the solo acoustic concept. 187 Paul McCartney has always had what you might call a ‘get out of jail free’ card when it comes to his songs and compositions, in the form of his ability to construct … Paul McCartney – McCartney III album review: Comforting in its familiarity. The song has a surprising emotional power—like a flip side to “When I’m 64,” with Paul looking back from the edge of 78. It peaks high with “The Kiss of Venus,” a pastoral romance that floats like an updated “Mother Nature’s Son,” as he hits poignant high notes in his superbly weathered voice. The third installment in McCartney’s home-recorded series is less adventurous and revelatory than its eponymous predecessors, but still contains moments of genuine wonder and weirdness. There’s also witty moments like the London Town-style yacht-rock ballad “Women and Wives” or the Abbey Road-style goof “Lavatory Lil.”. McCartney was rooted in the agrarian, anti-psych aesthetic of contemporary groups like the Band, while McCartney II showed Macca having a go at the new wave and early electronic music seeping into the mainstream. The novelty of McCartney and McCartney II had a lot to do with the context in which they appeared: the former was a purposefully ramshackle response to the studio-sculpted grandeur of the Beatles, the latter a synth-shocked antidote to the arena-rock bombast of Wings. 118 people found this helpful. It was his first chart-topper since. Mostly, it reiterates his well-established fondness for acoustic ditties, ruminative piano ballads, and hot-rod rockers. McCrtney III Imagined is out April 16 McCartney III works best when he leans all the way into the solo acoustic concept. So the appearance of that roman numeral in the title of McCartney III is loaded with significance, a promising indication that what we’re getting here is the man, not the myth. The gloomy sobriety of … Sign up for our newsletter. , his 2005 Nigel Godrich collabo, which slipped between the cracks at the time but now stands as a major turning point in his story. Pat Carty Hints Of Greatness. Egypt Station was also a Number One hit, and never think for a moment Macca doesn’t take that to heart. Don't panic. Review: ‘McCartney III Imagined’ Cigar Cigarette Creates an Apocalyptic Cover of Cyndi Lauper’s “Time After Time” That’s a Cover? His latest recalls the pastoral, laid-back sound of 1970 solo debut. Where so many of his collaborators of the past forced a sound aesthetic on him, here he is free to allow the studio ambience and guitar tones to carry youthful quirks. But he’s lived long enough to see a new generation rightly prize these albums as cult classics — much to his amusement. Paul McCartney: McCartney III album cover Reeling in disbelief that the […] McCartney III is comfort food The third effort in Paul McCartney's self-titled DIY trilogy is a straightforward, occasionally indulgent rock album about love, life, and future days. “When winter comes, and food is scarce/We’ll warn our toes to stay indoors,” he sings of his critters’ annual hibernation ritual, while also calmly bracing us for what’s shaping up to be some dark months. It serves as a continuation to his solo albums McCartney (1970) and McCartney II (1980). Paul hasn’t sounded so rustic since his earliest solo days, from “Mary’s Got a Little Lamb” to “Junior’s Farm” to “Mull of Kintyre.” When he sings about sheep and chickens, you know he means actual sheep and chickens, not metaphors. With its glammy, Super Furry Animals-scaled sweep, “Seize the Day” is even more explicit in its optimist’s mission. It was his first chart-topper since Tug of War in 1982, setting a new record for the longest stretch between Number One albums. Elon Musk to Host Next 'SNL' Episode With Musical Guest Miley Cyrus, carries on his tradition of homemade solo records, in the mode of his acoustic 1970 debut and his 1980 synth-pop oddity, . McCartney III dropped at the end of the disastrous year that was 2020 to remarkable hype for a nearly 80-year-old musician. — like his first two self-titled solo statements, it’s a spontaneous palate-cleanser after a labored studio project. The hype was bolstered by the III appellation, which placed the album in a triptych with records released half a century ago. (Pitchfork earns a commission from purchases made through affiliate links on our site.). The opening “Long Tailed Winter Bird” is the perfect microcosm of everything that’s both inspired and indulgent about this project. With McCartney III, all the icon's beloved songwriting quirks are out in full force. Now more than ever, the McCartney series isn’t simply a sketchbook dump for its maker—it’s a sneaky vent for some of his most unifying impulses. himself, with plenty of his folksy finger-picking. It’s the warmest and friendliest of quarantine albums — it’s basically. It peaks high with “The Kiss of Venus,” a pastoral romance that floats like an updated “Mother Nature’s Son,” as he hits poignant high notes in his superbly weathered voice. As was the case with the first two McCartneys, III’s eccentricities are best put to use when they’re supporting Macca’s endearing melodies rather than corrupting them. So nobody would be surprised that while holed up in quarantine and at the dawn of a new decade McCartney would set out to record McCartney III. His current hot streak began with Chaos and Creation in the Backyard, his 2005 Nigel Godrich collabo, which slipped between the cracks at the time but now stands as a major turning point in his story. 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