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";s:4:"text";s:18284:"There were deliberate choices made in ‘color metaphors’ to distinguish Monsters University from Monsters Inc. ranging from saturation levels, to monochromatic colors, and ‘emotional colors.’ [Editor’s note: a theme that would reach its eventual conclusion in Inside Out, which very specifically matches colors to emotion. She loves to create oil paintings that give a ‘lustrous quality’ to her subjects, and frequently Instagrams her work from Pixar’s weekly life-drawing class. There are so many more interesting things to discuss about Monsters University’s production, not the least of which is the fact that Pixar kept an Amazonian Giant Centipede in a box until a visiting zoologist told them it was hideously poisonous. Lighting Technical Director, Pixar (2004 – present). I encourage you to dive into the director’s commentary on DVD and read more on the web, including a Youtube video demonstrating the “Presto” software. They are one of the six fraternities of Monsters University. While the RΩRs may be preppy in dress, they are ferocious in action and downright ruthless, if necessary. It is the rival fraternity of OK (Oozma Kappa ). Presto Visualization Software – https://vimeo.com/90687696, Character Technical Director, Pixar (2010-2012). She has received a Visual Effects Society Award for Outstanding Animated Character in an Animated Feature Film (Cars – Mater) in February, 2007. It is the rival fraternity of OK (Oozma Kappa). The scary human world that Mike and Sully run through is more black & white, lit with flashlights, and as the climax builds, the lighting becomes more dingy. The music for the film was composed by Randy Newman, making it his seventh … It becomes the rival fraternity of Oozma Kappa (OK). Favorite Add to See similar items + More like this . [photo source: http://pixartconception.tumblr.com], “when they were fighting, one was in light and the other was in shadow… towards to the end, when they get together, they are in shadow or light together. Emigrating from Hong Kong as a young girl, Lee used drawing as a way to over come culture-shock. “After School Special,” the School of Visual Art’s Alumni Film and Animation Festival, occurs every year in September. And it was the first time a Pixar movie used a techno track, with “Roar” by Swedish House Mafia. And it was the first time a Pixar movie used a techno track, with “Roar” by Swedish House Mafia. Haniszewski incorporated Z-brush into the production process to speed up the pipeline. Guns and Aliens. She recommends that students take internships to get exposure (and to give exposure). ... to the first draft of a scene without rendering. Posted by Tristian on Sep 28, 2015 in Feature Articles, Uncategorized ... Monsters University represents many important firsts for Pixar. We used trees and moved things around to create the look. The two years of fine art that SVA offered were very helpful, especially in a world where animation software changes all the time. Her inspirations include Wallace & Gromit and Miyazaki. Cho also spent a short amount of time at Eyebeam right here in Brooklyn and just a year at Dreamworks and Shrek 2. That may be true, but the School of Visual Arts certainly did not fail to educate these great students, who went on to join one of the world’s best animation studios, at Pixar. Monsters University (2013) cast and crew credits, including actors, actresses, directors, writers and more. Monsters University is available on Netflix DVD. ], Mike and Sully in the Human World [photo source http://pixarplanet.com], Senior Technical Director, Pixar (2002-2014). Her thesis film Trilemma was nominated for a Student Academy Award (regional finalist) and screened on PBS’s Reel New York. Nancy Kato graduated from SVA’s graduate computer art’s program in 1991, and spent several years freelancing at Wild Brain Inc, 8 years on staff at Rhythm & Hues, and for one year at Pixar itself before joining staff. Kato brings out a character through their movements, creating a unique personality to go along with a pre-designed model and a solid story. It’s an abstract film involving a beating heart in a paper bag… ‘It’s about the deconstruction of love…’ she said waving her hands. Johnny comes from a long line of MU Scarers and respects the school’s legacy, traditions and most of all, the system by which Scaring excellence is judged. She also credits New York City for its great access to superb art, and to SVA for showing her lots of installation and video art. A native of Connecticut, Haniszewski started working at great New York studios such as Nathan Love Aardman Nathan Love and Framestore even before he graduated from SVA in 2009. Apparently there were lots of challenges in Monsters University that required updates in technology, but the challenges of sculpting, modeling, and rigging believable creations is what he loves to overcome. An example of semi-sharp creases [photo source: http://graphics.pixar.com]. It’s all for the sake of the story, and you still get a paycheck. Maria Lee developed a heavy background in advertising as an art-director and graphics before she learned the skills she needed to work at Pixar. – Dean Hardscrabble, SVA Film Chair (J/k!) She was an Animation Mentor, and teaches at the California College of Arts (as a visiting artist). … we used dapple shadows for transition.” ~ YWC, Cho also described a “dingy green” that is slowly introduced into the movie. Roar Omega Roar, often shortened as RΩR, is one of the six fraternities of Monsters University. They’re the nastiest, most skilled, scariest monsters at Monsters University, and come from families with a long, proud history of Scaring. Young Mike [photo source: http://www.hypable.com]. Monsters University represents many important firsts for Pixar. Before earning a MFA in SVA’s Computer Arts program, studying ‘time-based moving images,’ Ye Won Cho studied sculpture and visual communication in Seoul National University, in her home country of Korea. They’re the smartest, most skilled, scariest monsters at Monsters University, and come from families with a long, proud history of Scaring. Kato was born and raised in Sao Paulo, Brazil, and likes to visit her homeland every year. "Johnny Worthington has reason to be supremely confident—he’s the top Scare student at Monsters University and president of the best fraternity on campus, Roar Omega Roar. He even received an offer from ILM, but he turned it down because he is NOT a fan of Star Wars Episode 1. Kato worked on the animation of Merida in Brave, and is animating on Finding Dory. Screenings are free and open to the public. With her diverse background, Cho believes her role as a lighting director is to direct the attention of the audience with lights and darks, and support the vision of the movie’s director. Roar Omega Roar, often shortened as RΩR, is one of the six fraternities of Monsters University who appear as the primary antagonists of the 2013 Disney/Pixar animated film of the same name. As a TD, Dayton works on sets, models, and lighting. "The Roar Omega Roar (RΩR) fraternity is made up of the best of the best. When Dayton was working at Pixar, it didn’t matter what software people used, whether it was Maya, Mudbox, Modo, or Z-Brush, just as long as the end result looked good. While he was at school, Haniszewski engaged in friendly competition with classmates to see who was the better artist, or the better modeler. Monsters University is a 2013 American 3D computer-animated comedy film produced by Pixar Animation Studios for Walt Disney Pictures. His students are hungry… to learn! When the teacher asked for a model of chess pieces, he made monsters (playing chess probably). It is the rival fraternity of OK (Oozma Kappa). Haniszewski currently works at Blue Sky as a Character TD, and co-teaches a class at SVA of advanced model rigging. It was the birth of “Presto,” Pixar’s proprietary software that plays back rough animation in real time so that animators and directors can make adjustments to the first draft of a scene without rendering. She studied illustration and media arts as an undergrad at SVA in 1988, and eventually earned an MFA in computer arts at the Academy of Art University in the year 2000. After graduating SVA in 1998 with a BFA in computer art, he spent some years freelancing at various studios such as Curious Pictures and TapeHouse/BlackLogic. Cho started off with an internship at MTV-LOGO assisting on Daria, and as a intern/lighter at Curious Pictures. The Roar Omega Roar (RΩR) fraternity is made up of the best of the best. The color becomes more prominent over time to build tension during the ‘reverse monster movie’ section of Monsters University. It’s a color that makes people feel uncomfortable, and signifies a really low moment. Self-declared as the most elite house on campus, the RΩRs are led by Johnny Worthington w… And if, when you finally finished that model, the director decided the movie didn’t really need that scene, you don’t take it personally. More colors Monsters University (Inspired) - Roar Omega Roar … It’s my job to make great students greater, not make mediocre students less mediocre. Roar Omega Roar: Monsters University. Outside of Pixar she has worked on Babe, the original Coca-Cola Bears commercial campaign, and Waterworld. It was their first prequel, after significant shake-ups on sequel ideas for Monsters Inc, with Circle-7 Animation and Disney’s purchase of the Pixar company. "The Roar Omega Roar (RΩR) fraternity is made up of the best of the best. He may have been born with a silver spoon in his jaws, but this monster’s no softy." At Pixar he was responsible for modeling props for main characters and for all ‘tertiary [character] hand articulation,’ amongst other things. She loves to use reference material for character animation, and frequently uses her ‘opinionated’ husband in video reference, who will act it out over and over until it is just right. He recommends that students constantly push themselves. Lee thinks that her student thesis film was one of the greatest things that she ever did for herself. Roar Omega Roar, often shortened as RΩR, is one of the six fraternities of Monsters University. It was directed by Dan Scanlon in his feature film debut and produced by Kori Rae, with John Lasseter, Pete Docter, Andrew Stanton and Lee Unkrich as executive producers. 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