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";s:4:"text";s:12098:"Electronic music - Electronic music - Music synthesizers: Composing tape music by the classic method was neither easy nor free of technical pitfalls. Un article de Wikipédia, l'encyclopédie libre. Maxfield's "Night Music" is an exquisite pre-synthesizer electronic music made -- like his pieces "Sine Music" (1959) and "Trinity Piece" (1960) -- with only the supersonic bias signal of a tape recorder and a supersonic sawtooth waveform from an oscilloscope producing audio range difference tone "ghosts". Wonderwall Music(1968) All Things Must Pass(1970). A lively and informative new podcast for kids that the whole family will enjoy. L'illustration de la pochette est une peinture de Harrison dans un style enfantin. Electronic Sound covers contemporary electronic music and culture with a side order of art and technology. When he became aware of the synthesizer, he was anxious to use it, because it gave him the opportunity to realize his music more precisely than had hitherto been the case. The record displayed technical excellence in the sounds created and made the electronic synthesis of music more intelligible to the general listening public. Cet album aux tonalités expérimentales est, comme son nom l'indique, composé de « sons électroniques » joués sur un synthétiseur Moog Modular. The response is immediate because no mechanical couplings or controls are required. Music Sports Gaming Movies TV Shows News ... Super Mario Land 2: 6 Golden Coins Commercial with Electronic Sounds! Au moment de sa sortie, le disque est alors relativement ignoré par la critique, qui est depuis partagée à son sujet. The basic advance of the RCA synthesizer was an information input mechanism, a device for punching sets of instructions into a wide roll of punched paper tape. Composers can at any time during the programming process interrupt this activity to listen to what had been punched, to make corrections, and to edit the material before making a final paper tape that then constituted the “master score” of the composition. The improvement in tone quality was enormous, because the ear normally expects nuances such as higher partials that decay faster than lower ones. Sur deux longues pistes, qui occupent chacune une face du 33 tours, le musicien expérimente cet instrument qu'il a récemment découvert. Toutes les compositions sont de George Harrison. En 1968, les quatre Beatles fondent leur label Apple Records, et chacun y fait signer les artistes dont il juge le potentiel intéressant. Pour Richard S. Ginell, du site AllMusic[8], il s'agit d'un poème abstrait de qualité ; tandis que pour Simon Leng, qui consacre un ouvrage à Harrison, « Quarante minutes de démonstration qu'un Beatle n'avait aucune idée de comment jouer d'un clavier électronique, c'est au moins trente-neuf minutes de trop[9] ». Salvatore Martirano’s Underworld (1965) is a good example of music in which the tape was made largely by additive synthesis. Moog’s synthesizer soon had to compete with several other synthesizers of essentially the same design, the Buchla Electronic Music Box, the ARP, and the later, more sophisticated Prophet 10. A word should be said about realizations of instrumental music through synthesizers, notably an early, commercially successful album called Switched-on Bach (1968), arrangements made by Walter (later Wendy) Carlos on a Moog synthesizer. electronic music sounds (46) Most recent Oldest Shortest duration Longest duration Any Length 2 sec 2 sec - 5 sec 5 sec - 20 sec 20 sec - 1 min > 1 min All libraries Sampleconstruct Big Room Sound … Il sort en mai 1969 des deux côtés de l'Atlantique et connaît un accueil commercial confidentiel : il n'entre pas dans les charts britanniques et n'arrive qu'à la 191e place des classements américains. 0:31. À la suite de l'enregistrement de l'album de Jackie Lomax, George Harrison demande à Bernie Krause de lui montrer les possibilités du Moog. Sa participation à la deuxième piste, enregistrée en Californie, est mentionnée, mais il semble peu probable qu'il ait davantage participé au disque[7]. Robert Moog was the first to design several types of compact synthesizers of moderate price that supplied an extended range of possibilities for sound manipulation. Bien que le disque n'ait que peu de succès, c'est une nouveauté pour Harrison qui y introduit quelques parties d'un instrument récent, le synthétiseur, encore inconnu à l'époque[1]. auquel participent plusieurs artistes de renom, notamment Eric Clapton, Paul McCartney, Ringo Starr et Nicky Hopkins. Au-delà de ces divergences de point de vue, Electronic Sound représente surtout un avant-goût d'un usage plus travaillé du Moog sur l'album des Beatles Abbey Road, qui sort quelques mois plus tard[10]. These pieces were created on the Buchla synthesizer, and any one of them demonstrates in relatively unmodified form the types of sounds one may obtain with these instruments. One of the most beautifully pressed vinyls of electronic music with 3 important works: Steve Reich "Come Out" (see Reich's Early Works), Richard Maxfield "Night Music," and Pauline Oliveros "I of IV." Albums de George Harrison Wonderwall Music All Things Must Pass modifier Electronic Sound est le deuxième album solo de George Harrison, sorti en mai 1969, alors qu'il est encore membre des Beatles. With great writing, beautiful design and photography, Electronic Sound is the house magazine for plugged in people everywhere. A distinction can be made between sound produced using electromechanical means ( electroacoustic music ) and that produced using electronics only. Cet instrument est amené par Bernie Krause, musicien intéressé par les sons naturels, qui fait par la suite carrière dans ce domaine[2]. Electronic Sound est le deuxième album solo de George Harrison, sorti en mai 1969, alors qu'il est encore membre des Beatles. We cover the best in contemporary electronic music, as well as the classic acts that everyone loves. John Lennon a ouvert le bal en 1968 avec Unfinished Music No.1: Two Virgins[5]. Avec Apple, les Beatles ont la possibilité de laisser libre cours à leurs envies, et sont libres de publier des albums peu commerciaux et expérimentaux. Cette réédition est actuellement épuisée[12]. Electronic Sound - the electronic music magazine. La pochette est ornée d'un dessin d'enfant de Harrison. By signing up for this email, you are agreeing to news, offers, and information from Encyclopaedia Britannica. They cannot, however, be regarded as more than an intermediate technological development because of later computer technology (see below). (Carlos later created an original electronic score for the science fiction film Tron.). En dépit de son manque de succès, l'album est édité au format CD en 1996 dans une version remastérisée. La version du 17 mars 2012 de cet article a été reconnue comme «, « Il y a partout un tas de gens qui font beaucoup de bruit ; en voici encore davantage. Learn about, and listen to, the Synthi 100, an analogue synthesizer made in the 1970s by Electronic Music Studios. La critique est divisée concernant cet album. Une polémique entoure Electronic Sound dans la mesure où Bernie Krause, bien qu'il ait demandé que son nom soit retiré de la pochette, a par la suite revendiqué la paternité du disque. Among Babbitt’s compositions created with this machine were Composition for Synthesizer (1961), Vision and Prayer (1961), Ensembles for Synthesizer (1963), Philomel (1964), and Phonemena (1974). It was designed so that each partial of a sound could have its own entry point, its own rise time, and its own decay time. A complex piece had to be assembled from hundreds or even thousands of fragments of tape. A complex piece had to be assembled from hundreds or even thousands of fragments of tape. In contrast to Cahill’s period, by the 1950s the means finally existed to construct full-scale music synthesizers, starting with the RCA Electronic Music Synthesizers, designed by Harry Olson and Herbert Belar, research scientists working at the RCA Laboratories at Princeton, New Jersey. Be on the lookout for your Britannica newsletter to get trusted stories delivered right to your inbox. Pour poursuivre ces expérimentations, les Beatles fondent le label subsidiaire Zapple, qui ne publie que deux albums avant d'être supprimé par leur manager Allen Klein : Unfinished Music No.2: Life with the Lions de John Lennon et Yoko Ono[6] et, donc, les expérimentations de Harrison, qui paraissent sous le titre Electronic Sound le 9 mai 1969 au Royaume-Uni et le 26 mai aux États-Unis. L'intérieur inclut un commentaire de l'auteur, sous le pseudonyme d'Arthur Wax : « Il y a partout un tas de gens qui font beaucoup de bruit ; en voici encore davantage. 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