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";s:4:"text";s:7192:"Peter Brook directed a cast that included Ian Richardson as the herald, Clive Revill as Marat, Patrick Magee as de Sade and Glenda Jackson as Charlotte Corday. It seems like such words of de Sade sound a bit weird even for Marat who says that de Sade lacks of compassion. He believed only in the real body, its pain, even when he described the horrors of the revolutionary events like “women running by, holding in their dripping hands the severed genitals of men” (Weiss 49). In the play that he is directing in the asylum, de Sade reveals all the flaws of the Napoleonic France, describes bad conditions in which people live, which is much disliked by the director of the asylum Coulmier. The Persecution and Assassination of Jean-Paul Marat as Performed by the Inmates of the Asylum of Charenton Under the Direction of the Marquis de Sade is a drama with music, written by Peter Weiss in 1963. These are the main reasons why his writings were condemned and de Sade was imprisoned for several times. IvyPanda. On the other hand, I am sure that a lot of people will agree with Marquis de Sade as well. The main story takes place on 13 July 1808, after the French Revolution; the play directed by the Marquis de Sade within the story takes place during the Revolution, in the middle of 1793, culminating in the assassination of Jean-Paul Marat (which took place on 13 July 1793), then quickly brings the audience up to date (1808). While for somebody Marat can be a monster, and this is why he was killed, I can understand his actions, but do not justify them. professional specifically for you? At least, he is not ready to kill people in order to achieve revolutionary goals. Just in a couple of minutes, a human life means nothing any more, and nature goes on. Marate/Sade: The Main Characters’ Answers to Philosophical Questions, The Problem of the Human Nature in The Prince, Thomas Weiss’ What's Wrong with the United Nations and How to Fix it, Relationship Between Body and Consciousness by Jean-Paul Sartre, Philosophical Contributions by Soren Kierkegaard and Jean-Paul Sartre, Free Will and Determinism According to William James and Jean-Paul Sartre, A Tale of Two Cities: A Balanced Portrayal of the French Revolution, Jacques Le Goff: the Terms “Intellectual” and "Labor", Renato Poggioli: The Concept of a Movement: The Theory of the Avant-Garde. This is also one of the main themes de Sade and Marat discuss in the play. It is God’s privilege. He opposed radical measures that were taken in the name of the French Revolution. From my point of view, it was one of the central conversations in the play. The Persecution and Assassination on Jean-Paul Marat as Performed by the Inmates of the Asylum of Charenton Under the Direction of the Marquis de Sade. Marat was assassinated in 1793 exactly for his too radical views by a young woman Charlotte Corday, whose main motivation was to save thousands of people from Marat. July 9, 2018. https://ivypanda.com/essays/marate-sade-the-main-characters-answers-to-philosophical-questions/. The other is in the cage with the madmen, probing, investigating, whirling about to look at actors behind it. ". After two previews, the Broadway production opened on 27 December 1965 at the Martin Beck Theatre and ran for 145 performances. In fact, both Jean-Paul Marat and Marquis de Sade were real historical figures. The revival was directed by, This page was last edited on 2 September 2020, at 03:56. IvyPanda. The answer is simple. In his play The Persecution and Assassination on Jean-Paul Marat as Performed by the Inmates of the Asylum of Charenton Under the Direction of the Marquis de Sade, Peter Weiss also makes an attempt to answer some philosophical questions such class conflict, life and death by means of the main characters – Jean-Paul Marat and Marquis de Sade. “Marat/Sade” by Peter Weiss is an examination of narrative authority, human nature, identity, the exercise of power within the social hierarchy, and the ambiguity of meaning. Marquis de Sade simply realizes that revenge and revolutionary ideas are only so romantic in his fantasies. From the two positions presented in the play, I am more inclined to support Marquis de Sade and his moderate and more humane ideas. Marat/Sade is a play with music. Unlike a traditional musical format, the songs do not further the plot or expositional development of character in the play. As one of asylum inmates, de Sade decides to make own play and chooses Jean-Paul Marat as the main character. Besides, Marquis is surprised a little with such a reaction of Marat and says that they “both know he is really an extremist” (Weiss 27). At a glance, Marat’s views indeed seem a bit idealistic, but maybe idealists who blindly believe in something are those who actually can make changes. The first recording of the show was a three-LP set released in 1964 by Caedmon Records. Should we blame de Sade of being too weak or should we accuse Marat of being too cruel and bloody? In the vast indifference I invent a meaning” (26). IvyPanda, 9 July 2018, ivypanda.com/essays/marate-sade-the-main-characters-answers-to-philosophical-questions/. Additional awards went to Magee for Best Performance by a Featured Actor in a Play and Gunilla Palmstierna-Weiss for her Costume Design. If a body dies, then perhaps it should be this way indeed. I think none of them is monster, and positions of both men can be understood. We want our freedom! Weiss, Peter. The original Royal Shakespeare Company production was so popular that folk singer Judy Collins recorded a medley of songs from the show on her album In My Life. In Act 1, Scene 12, Marat and de Sade had a conversation about life and death. July 9, 2018. https://ivypanda.com/essays/marate-sade-the-main-characters-answers-to-philosophical-questions/. Now, people might wonder what de Sade thinks about the class conflict, Revolution, struggle? The film-version, which was made by the Royal Shakespeare Company, is excellent. The use of music follows the approach of Brecht, whereby the songs comment on themes and issues of the play. It can be watched (for the moment) on YouTube. Charenton asylum was his last prison where he directed several plays and died. Incorporating dramatic elements characteristic of both Antonin Artaud and Bertolt Brecht, it is a depiction of class struggle and human suffering that asks whether true revolution comes from changing society or changing oneself. However, de Sade is not ready for some concrete actions. Product Code: M18000 Full-length Play; Drama ; Cast size: 9m., 3w., plus extras. ", prompting the rest of them to join in an, "If I am extreme I am not extreme in the way you are. He is a supporter of the post-revolutionary government led by Napoleon, in place at the time of the production, and believes the play he has organised to be an endorsement of his patriotic views. The bourgeois director of the hospital, Coulmier, supervises the performance, accompanied by his wife and daughter. Marate/Sade: The Main Characters’ Answers to Philosophical Questions. Marquis de Sade is another character of the play and another famous historical personality. 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