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";s:4:"text";s:10639:"It’s a truth universally acknowledged that we’ve got the best theatre in the world, with everything from brand new creations to revised and revamped classics. The piece thrums with empathy for all its characters and the songs in which Alison discovers her lesbianism, the poignant Ring of Keys and the giddy Changing My Major, are pure joy. Where did your favourite play end up? You are sitting in a wheelchair, blindfolded and pushed into a room where your senses are caressed: fingers run through your hair, a chocolate is popped in your mouth, a voice whispers intimate questions. An Inspector Calls 35. Dealing with the relationship between an African-American housemaid and her Jewish employers, it exposed the racial, social and economic tensions in 1960s America and the vivacious score even animated washing machines and hairdryers. Devastating. Roy Williams’ play still offers one of the most vivid accounts of the variety and depth of Anglicised racism. Playwriting debuts don’t come much better than this. The History Boys 12. MB Read the review. MB Read the review. “Salesman” jumps around a lot and I’ve always thought can be hard to follow. A View from the Bridge (1955) by Arthur Miller, 19. Two-time Pulitzer winner Lynn Nottage turns her journalistic eye to the horrors of the global ivory trade with this story of a legendary bull elephant — played by the remarkable Sahr Ngaujah. Share Flipboard Email Print Literature. Jackie Sibblies Drury’s Fairview is theater as a punch in the stomach — it’s surely one of the most intense, innovative dramas of the year. Let’s discuss scores for one. The Lion in Winter 100. Sorry, your blog cannot share posts by email. Romeo and Juliet 17. Jeanine Tesori’s delectable melodies and Lisa Kron’s lyrics, just on the elegant side of conversational, give the show a remarkable intimacy. Where is it? This was no routine road to dystopia, but a wryly compassionate play about life’s soon-to-be-lost daily beauty. Ghost Stories 70. Angry and ecstatic, this piece – first performed in eight three-hour chunks and finally assembled into one all-day, all-night, sleep-optional extravaganza – explores the fraught history of America, from the revolutionary war onwards, by revisiting the music these United States have loved. Expertly engineered to generate discomfort in the audience, its impact and images linger for days. By entering your email address you agree to our Terms of Use and Privacy Policy and consent to receive emails from Time Out about news, events, offers and partner promotions. Three Sisters, 91. It justified the drum-beating through its pulsating energy, dexterous lyrics and celebration of America’s overwhelming debt to immigrants. Time Out is a registered trademark of Time Out America LLC. The Complicité production matched the hallucinatory nature of Petru Popescu’s Amazon Beaming, a biography of the explorer Loren McIntyre, with a soundscape that got inside your head. Most Revived Show: Porgy and Bess, ANYTHING would have been better than this list! Not everyone, especially in New York, responded warmly to its more than three-hour running time. Frankenstein 32. Produced by the Royal Shakespeare Company, it became a global sensation thanks to its sweetly spiky songs, empowering celebration of the imagination and brilliantly rebellious heroine who puts the “revolt” into revolting rhymes. What The Butler Saw (1969) by Joe Orton, 47. (1936) by Clare Boothe Luce, 46. Beyond Broadway, writers explored race, inequality and addiction. An intertwined retelling of two Greek myths, Hadestown ran the table at the 2019 Tony Awards with 14 nominations; it ultimately won eight, including best musical, best original score, and best featured actor in a musical for standout star André De Shields. One Flew Over the Cuckoo's Nest 76. The language of theater—not in the stagecraft sense, but in the actual dialogue sense—became something new with this lacerating 1962 drama. Modern drama seems to oscillate between the minimal and the maximal. Thousands of you voted and now, following on from Tuesday's announcement of the Top 100 Musicals of All Time, we take a look at the Top 100 Plays of All Time, starting by counting down your top 10. Festen 68. The Homecoming, 21. Even if it eventually flirts with melodrama, Elmina’s Kitchen is a work of surging vitality that takes on board gun control, the battle between books and consumerism, and the maelstrom of life in a Hackney eatery. Just wondering where Peter Shaffer is. A tidy two-hander that somehow encompasses much of US history in its brief scenes, Suzan-Lori Parks’ lively and cerebral comedy centres on two brothers, one named Lincoln and the other Booth, locked in love and deadly rivalry. Look Back in Anger (1956) by John Osborne, 18. Accidental Death of an Anarchist. The orphans’ home cycle (1962-2009) nine short plays by Horton Foote, 45. Seriously Matthew? ", Patti LuPone to Donald Trump: You're Fired. The Importance of Being Earnest 19. The Curious Incident of the Dog in the Night-Time. Taming of the Shrew 59. MF Read the review. Underrated because of her commercial success (Art, Life x 3), Reza is a razor-sharp analyst of middle-class manners whose work reveals a satirist’s savage indignation. Death and the Maiden 99. Uncommon Women and Others (1977) by Wendy Wasserstein, 3. Barking in Essex, 51. At times, upon discovering a secret passage tucked inside a wardrobe, say, or suddenly hearing music issuing from a hidden music hall, The Masque of the Red Death could conjure the feeling of walking through one’s own dreams. Then, vision restored, you see a face in front of you. Henry V 30. MB Read the review. We’re working hard to be accurate – but these are unusual times, so please always check before heading out. Punchdrunk’s beguiling show, based on several short stories of Edgar Allen Poe, occupied the Victorian-era Battersea Arts Centre. Honestly, a list of best musicals that does not include Les Mis. Bruce Springsteen set a high bar with his introspective 2017 show, but David Byrne meets that standard with his entertaining American Utopia. The goal of this list is not to set a definitive order of best plays, but to give passionate actors and theatre lovers a resource which we hope will encourage you to read more plays! The Front Page (1928) by Ben Hecht and Charles MacArthur. The action was shifted from Venice to 1960s Brighton, the hero became a failed skiffle player and the masterstroke was the addition to the dinner-serving scene of an octogenarian waiter with a tremulous hand and a remarkable capacity to rebound after falling backwards down the stairs. How did CAROUSEL, an absolutely dark and maudlin musical which arguably glorifies family abuse (“Sometimes when you love someone a slap can feel like a kiss”) make it onto this list ahead of other Rodgers & Hammerstein vehicles like THE KING & I or THE SOUND OF MUSIC? I’m sure people will be singing those haunting melodies from “Mormon” for decades to come compared to those simple tunes Rodgers knocked off. The Amen Corner 87. Much Ado About Nothing 23. Loops and vocal distortions turned an empty stage into a dense forest where Simon McBurney could ask questions about the ephemeral, the material and the telepathic. Four elderly women sit in a sunlit garden dwelling on times past, at one point even breaking into a version of Da Doo Ron Ron. It wasn’t the first show to put the audience in headphones, but it was the first to make such extraordinary use of binaural sound. This heart-wrenching staging of Donja R. Love’s slavery drama featured a magnificent tree that dominated the proceedings — and provided more than just shelter for this gentle queer love story. MF Read the review. The result is a list that runs from ancient Greek tragedy to Shakespeare comedy to American family dramas and even some modern experimental works. Its beauty is that the pales and forts of reason quickly break down and bourgeois hypocrisy is exposed. Two couples at a tiny New England liberal arts college drunkenly go at each other from the wee hours of the morning until almost dawn. The show throbbed with energy and compassion, placing audiences firmly in the shoes of its characters. Ultimately, however, the two men are divided by geography and the historic assumption that, in England, art is the property of the middle classes. There were so many great plays it was a challenge to identify only 100 -- Shakespeare properly occupies a significant section of the list and a strong argument could well be made that every one of his plays should be on this top 100 list. MB Read the review. I agree that CAROUSEL shouldn’t be on the list because there are better musicals, not because it glorifies abuse. I’ve never been a huge Death of a Salesman fan. Adam Cork’s score, deploying the everyday phrases of London Road residents collated by Alecky Blythe, acquired a fugal delicacy and opened up new possibilities for musical theatre: the savour of actuality, one felt, might one day supplant the narcissism of showbiz. Shakespeare took a standard-issue—for the period—genre and used it to create a monument in Western literature, dramatic or non. Its two parts, Millennium Approaches and Perestroika, give theatergoers a whirlwind trip through stories ranging from a man's battle with AIDS to über-Republican Roy Cohn's homophobia and his own realization that he also has the disease, and from the Rosenbergs' legacy to a Mormon couple's struggle with his gayness and her drug addiction. Constitutional crisis, civil war and palace plotting, according to Mike Bartlett’s fascinating blank-verse play. The Piano Lesson (1987) by August Wilson, 49. Pygmalion (1913) by George Bernard Shaw, 9. Both of those questions were part of the decision-making process when compiling the list that follows, and factors such as historical importance and influence were key as well. Branden Jacobs-Jenkins’s script eviscerates Dion Boucicault’s The Octoroon, an 1859 melodrama about forbidden love on a slave plantation. Nope. But the abiding image of Bijan Sheibani’s production, which incorporated uplifting music and dance, was of the barber shop as a place where you shed your locks but discover your identity. For WOS100 we asked you to name your favourite musical and play of all time. The performers’ smiles contort into a rictus; the sequins sparkle menacingly. CL Read the review. Deprived of sight, you focus intensely on each stimulus. M. Butterfly (1988) by David Henry Hwang, 39. Heads up! ";s:7:"keyword";s:18:"best theatre plays";s:5:"links";s:956:"Amy Mcgrath Election Results,
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