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";s:4:"text";s:8515:"I cannot believe that this is being put before the paying public, even in preview. Frankenstein senior was 100 percent awkward though. brian ferguson To start with the positives, as a visual piece I thought it was fantastic. We shall have to wait and see…. In Danny Boyle’s eagerly awaited production of Frankenstein the show’s stars are alternating the roles of the scientist and the deformed Creature in Mary Shelley’s great gothic tale, first published in 1818. coliseum It’s obvious just how atmospheric Frankenstein must have been in the live auditorium, when a large bell is struck to summon silence as the play opens – undoubtedly sending a jolt through the packed audience. Great, thanks Peter. While the eye popping, jaw dropping and breath-holding part of it centered on the performances of Cumberbatch and Miller, it was by no means just about them. Don’t take you anywhere. JLM was magnificent!! young vic. There’s nothing that good acting couldn’t successfully navigate; but the standard of supporting acting here is far below what used to be the norm at the National. Of course, if it had been in the Cottesloe it wouldn’t have made as much at the box office and would have had to run even longer, is this just a sign of the arts we can come to expect in the brave new world of arts cuts that lies bleakly ahead of us? The laughs at the beginning were good though as most people ( or at least myself ) were laughing in delight at his innocence. Frankenstein rating: * * * *. Join the mailing list to receive daily email updates. Olivier Theatre, London. Like Neil Warren above, I loved it, and am equally amazed at the negativity of some of the other comments. alan bennett Has anyone seen the play with Jonny Lee Miller as the creature? It’s not as though the competition was strong, although to be honest, I didn’t recognize the winners from that year (2012, for award purposes). Some acting, therefore, seems over the top and exaggerated when watching from home but, of course, an audience seated behind a small screen was never the intended target. It’s in bringing this debate and its attendant metaphor home that this version is at its strongest. You can monetize all your mobile traffic very easily just by installing simple wordpress Ironically as a piece of writing this in itself it like the monster – disjointed, unsure and a sheer mess at times. Just in terms of stage time, the adaptation gives the Creature a head start over the Doctor, who never really catches up. This is as horrendous a night at the theatre as I have ever experienced. JLM brought a wonderful physicality to the role, and importantly didn’t abandon certain tics he had developed for the character, even as the Creature becomes more learned and worldly. Perhaps worst of all were the comedy Scots, a sort of Carry on Burke and Hare. I’m sure it was less effective as a cinema projection but it certainly won me over. Yes, the performances are stunning but the production is uneven and doesn’t need all the set that it has. It is sad to say that here is where the positives end. 4:37 PM PST 2/24 ... at London's National Theatre. Gentle reader, for the past two nights I have supped full with horrors. anastasia hille The music by Karl Hyde and Rick Smith was ever-present, though almost ‘invisible’ as it occurred, providing, as all good soundtracks do, a complement to the action without calling a lot of attention to itself. assembly rooms A bit of wishful thinking here, I fear. I’m seeing it twice, so I get to see them both tackle the Creature. mike bartlett Who knows, but I advise getting to your seat at the last minute! A better script might also have prevented the audience laughing quite so much as they did. Anyway I think many of the reviews are very harsh – it is nowhere near the worst ever. Donations are encouraged to support this iconic venue during this uncertain time. I can’t wait to see what the critics say, I imaging some will call it a masterpiece and others will give it a more honest review. End of story. Either way, the show is a thrill — though the inevitable result of seeing it twice is that one does notice the occasional longueur, and the fact that Nick Dear’s sometimes plodding script doesn’t always live up to the brilliance of Boyle’s direction or the nervy intensity of the lead performances. bush theatre The creature drifts away on an ice raft, never to be seen again. We invest ourselves in this creature and can see the humanity and capacity for emotional intelligence that lies beyond its gruesome exterior. Danny Boyle's Frankenstein, National Theatre, review. If you don't see it please check your junk folder. So, by all accounts, does Miller, his alternate; though their movement director and make-up artists must surely share some credit. Review – Frankenstein, National Theatre – February 8, 2011 Posted in: featured, london, review, theatre. It tries to be artistic, poetic and literary but instead of weaving these styles and themes together, it just switches from one style to the next with no cohesion. It’s like a string trio in a cathedral. The fact that we laughed at all shocked me more than many things in the play . He re-connects with Frankenstein and threatens his creator with horrible options if he doesn’t create a female counterpart for him. If Hytner actually cares about his audience he will cancel all previews now, order a rewrite, and open the play a month late. But the performances really rang true. Perhaps the worst part of the writing is the incredibly misplaced use of humour. Am going tomorrow night. The staging is imaginative, particularly the use of lighting in the opening scene, but otherwise this was a total let down. A great treat and an honour to Shelley’s work. This production premiered in early February, 2011 and opened officially on February 22, where it remained in production until early May. I went on the first night and thought the script was extremely weak – certainly not tightly-plotted at all – and many of the cast (I’d say Cumberbatch and the old chap aside) are pretty average (the farmer’s wife is as wooden as they come). Frankenstein and The Creature are still alive at the end, though on a dog sled, trudging off into the ice and snow. Review: Streaming the National Theatre's 'Frankenstein' ... the National Theatre’s YouTube channel was going to broadcast Frankenstein and that alternate showings would feature, in rotation, Cumberbatch and Miller as The Creature. It’s dressed in a stylized diaper and watching this creature is like watching a baby progress through about a year-and-a-half’s worth of growth in about 15 minutes. It’s complete entertainment and escapism, although the play’s central theme of embracing our fellow man despite our differences carries a more pertinent meaning in the current climate. Theatre Review: Frankenstein Back to video. Instead, we are enthralled as we witness Frankenstein’s birth into the world. I will be going again beautiful beginning scene too. dominic cooke ), Pam you can see it via NT live. And Shelley sees to it that Frankenstein’s answers are as evasive and unsatisfactory as religion’s have always been. london Two weeks ago, courtesy of National Theatre Live, audiences in movie theatres worldwide had the chance to see Benedict Cumberbatch and Jonny Lee Miller as creature and creator respectively. Boyle, returning to the theatre after his Oscar-winning success with Slumdog Millionaire, pulls off something truly spectacular here. Yes there was laughter in the audience and I don’t think this was at all unintentional, the burst of involuntary laughter at the creatures comment on a horrific act he had committed was cut short as we realised what we were laughing at. With no interval, we are firmly drawn in and enmeshed in this gothic world for two intense hours. You can change your choices at any time by visiting Your Privacy Controls. I’ve read lots of reviews of Benedict as the creature and am very curious to know how it was the other way round. The monster embracing nature and its elements made humourous rather than moving by JLM’s jiggling buttocks. Not quite, mind you. Complications ensue, as they say, and in the end, Victor chases the creature he created into the vicinity of the North Pole before he dies. I can’t imagine it having seen JLM. JLM excellent, but that aside, this is quite supremely dreadful and left me absolutely furious. 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