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";s:4:"text";s:8150:"I found not just one man, but a whole family ripped out of one world and catapulted into another, terrifying one. That was just a decision I made, and I suppose it’s not so much a matter of principle as realistically seeing my own limitations, and also that the subject of this book is actually white settlers, it’s the white settler response to the fact that the Aboriginal people were on the land they wanted to settle on. What exactly is a “slush lamp”, and what kind of light does it give? Ramona Koval: I had to look it up. He was nothing more than a flea on the side of some enormous quiet creature. Understanding is the first step – without that there’s no way to go forward. And once you can actually get inside the experience, it’s no longer a matter of who’s going to win, it’s simply a matter of; yes, now I understand both sides and, having understood, the notion of one side being right and the other side being wrong becomes kind of irrelevant. Kate Grenville defends the Aborigines, but she doesn’t moralise. There’s a scene, for example, in which the Aboriginal people light a fire and burn off some ground, and the white people can’t understand why, and just by coincidence, it seems, a week later it starts to rain, and a week after that there’s this wonderful meadow of soft green grass which is attracting the kangaroos, whereupon the Aborigines come and spear them and have some considerable BBQ feasts on it. Skip to main content. He heard Sal give a squashed cry as she heard it too, and a wail from Johnny cut short with her hand over his mouth.”(From The Secret River), This paragraph , with the word poised at its centre, depicts anticipation perfectly. Upright in his hand, the spear was part of him, an extension of his arm. It seemed that the point was not so much the pain as the scars themselves. Is there a path between the “black armband” and the “white blindfold” versions of a history like ours? I researched with fear of what I’d find, and came upon a bigger story than I’d expected: nothing less than the hidden, unspoken, half-erased history of the place where I belong. After the fleet arrives in Port Jackson, Rooke sets up camp on a rocky and isolated point, and starts his work of astronomy and navigation. The relevance of this tale of early transportation and contact with the Aboriginal people spreads far beyond Australian borders…a profoundly important book.”(Listener – New Zealand), International Reviews:“In spare, unpretentious prose, Grenville charts the brutal truth that violence breeds violence. Through the doorway of the hut he could feel the night, huge and damp, flowing in and bringing with it the sounds of its own life: tickings and creakings, small private rustlings, and beyond that the soughing of the forest, mile after mile. The Racial Discrimination Act has been reinstated, so that income management of those on welfare no longer applies only to indigenous recipients. I’ve tried to be very even-handed. Odette Kelada writes about how ‘some of the tensions evident in reconciliation politics where open spaces for genuine enquiry are still battling with the embedded heritage of orientalist and colonial discourses’ [11]. It was a sharp stab like a splinter under a nail: the pain of loss. It also analyzes reviews to verify trustworthiness. Down the hill the settlement was hidden by the darkness. Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons. Ramona Koval: You said before that you thought that you didn’t want to step into the minds of Aboriginal characters, and I think you used the word ‘appropriate’ there. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present. The darkness in front of him whispered and shifted, but there was only the forest. Then I thought to myself, why is it poetic? But as my research took me far beyond my family story, into the larger story of black/white relations in early Australia, it stopped mattering. It’s not a first-person account but it is a fairly subjective third-person account. The darkness in front of him whispered and shifted, but there was only the forest. Basically to think, well, what would I have done in that situation, and what sort of a person would that make me? Set at the end of the eighteenth-century, this tells of the first British landing in Sydney with a shipload of convicts and their guards. There's been an unprecedented amount of consultation with indigenous groups, and a recognition that a "one size fits all" approach doesn't work. So that’s where I hope this book will be. Splendidly paced, passionate and disturbing.”(Sally Vickers, The Times), “This is a moving account of the brutal collision of two cultures; but it is the vivid evocation of the harshly beautiful landscape that is the novel’s outstanding achievement.”(Simon Humphreys, Mail on Sunday), “A vivid and moving portrayal of poverty, struggle and the search for peace.”(Independent), “Grenville shows again the excellent form that won her the Orange Prize.”(Sunday Times), “An outstanding study of cultures in collision… a chilling, meticulous account of the sorrows and evils of colonialism…Kate Grenville is a sophisticated writer.”(Jem Poster, Guardian), “This is not your standard historical novel. Research, rather than family stories, provided the material for the second half of the book. It won many prizes, has been translated into around twenty languages, has been adapted as an acclaimed TV mini-series, and had sell-out runs ( including at the Edinburgh and Adelaide Festivals) as a stage play adapted by Andrew Bovell. Although based on extensive research, the novel does not scream 'I have been extensively researched'; the discovery, on reading the epilogue, that the story was based on real events and that the indigenous language was exactly as recorded by the eighteenth-century Englishman who is the model for Rooke came as an additional surprise and pleasure. It stands outside that polarised conflict and says, look, this is a problem we really need, as a nation, to come to grips with. When I was in Australia recently, I asked a friend, who had first introduced me to Tim Winton's novels twelve years ago, to recommend another Australian writer whose work I should read. His meeting with native Australians, however, changes his life. Unable to add item to Wish List. Although Grenville sets out for to interrogate the violent history of colonial settlement in Australia, nevertheless the novel asks us to identify and empathise with Thornhill as he turns from convict to coloniser. Be off, the man was shouting. Grenville’s best, and a giant leap forward.”(Kirkus Reviews (starred)), “For the Australian pioneer of Kate Grenville’s hugely filmic The Secret River, a land of opportunity becomes a moral wilderness worthy of Conrad.”(Vogue), “Grenville earns her praise, presenting the settler-aboriginal conflict with equanimity and understanding, sharp prose and a vivid frontier family.”(Publishers’ Weekly), “There are books which when you have turned the final page leave you unable to speak or move from the place you have been reading; this is just such a book… a riveting story of forging a new life on a breathtakingly described Australian frontier, the conflict between the new arrival and the aboriginal population, and the price of success.”(The Boston Globe), “This novel is a perceptive and masterful portrayal of the lives of some of Australian’s earliest European settlers… the clash between the old and new worlds is elegantly conveyed, as is that between the native Australians and the settlers.”(Independent Booksellers Book Sense Picks), “Grenville’s psychological acuity, and the sheer gorgeousness of her descriptions of the territory being fought over, pulls us ever deeper into a time when one community’s opportunity spelled another’s doom.”(The New Yorker), “The stage is set for a confrontation that seems inevitable but never predestined. 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